C.M.H.

C.M.H. takes to its extreme a daily practice of invisibility that ultimately erases people, their rights, and the very notions of trust, security, and nation. It is also a reflection on the physical elements that make up the information we consume and how they can be neutralized to the point of obscuring or revealing very little: the pixel and the text.

• experimental
• videoarte
• violencia de género
• feminicidio
• crítica social